როცა ცოდნა მოქმედებაზე ბატონობს

Abstract

The article is a narratological analysis of three Georgian feature films dedicated to the GeorgianAbkhaz conflict. The analytical scheme synthesizes the syntagmatic structure of Vladimir Propp and the narrative codes of Roland Barthes. In the article, the author clearly distinguishes between two aspects: the socio-cultural context of traumatic reflection and textual analysis in its own. The main finding of the article is the lack of a final point of equilibrium, the incompleteness of the narrative and the potential for continuation.